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Jury for the 2009 Competition
Gordon Fergus-Thompson
(Chairman)
John Humphreys
Margaret Fingerhut
William Fong
Mark Bebbington
Michael Seal (Final stage only)
Introducing our panel of
distinguished Judges
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Gordon
Fergus
Thompson |
John
Humphreys |
Margaret
Fingerhut |
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William
Fong |
Mark
Bebbington |
Michael
Seal |

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Gordon Fergus Thompson
Gordon Fergus-Thompson’s award
winning interpretations of French Impressionist and
Russian Romantic piano music have been much acclaimed
throughout the European Press.Following a sensational
debut at the Wigmore Hall in 1976 he firmly established
himself as a major recitalist and concerto player,
appearing as soloist with the Philharmonia, English
Chamber Orchestra, Götenburg Symphony, Residente
Orchestra of the Hague, CBSO, RLPO, Hallé,
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Bournemouth and all
the BBC Symphony Orchestras,with such conductors as Evgeni
Svetlanov, Jacek Kaspszyk, Sir Edward Downes, Helmut Müller-Brühl,
Mosche Atzmon, David Atherton and Sir Charles Groves.
He has appeared in all the
major halls in London and Paris, given over two hundred broadcast
recitals on BBC Radio 3 and toured extensively in the UK,
France, Austria, Switzerland, Italy, Czech Republic, Australia
and the Far East.
Gordon Fergus-Thompson is presently
recording the complete works of Scriabin for ASV and has now
completed 6 of the 8 volumes. His complete sets of Debussy
and Ravel are already in the catalogue.
Further to his UK appearances
this season, Gordon Fergus-Thompson returns to the USA for
his third lecture-recital.
Gordon Fergus-Thompson won
the prestigious MRA ‘Best Instrumental Recording of
the Year’ award in successive years, namely 1991 and
1992, in the first instance for his outstanding complete works
of Debussy, and in the second, for Volume 1 of the complete
works of Scriabin.
Gordon is Professor of Piano
at the Royal College of Music.
Reviews:
“Fergus-Thompson once
again turning in performances comparable to Richter and Horowitz
...that is to say, performances comparable with the best that
history has to offer.”
FANFARE USA
"Gordon Fergus-Thompson
is your man. Even the most experienced Ravelians will find
themselves returning to these finely recorded accounts for
a special and magical enlightenment.”
BRYCE MORRISON, GRAMOPHONE
(Debussy Preludes)
“I have never heard a
recorded version that approaches these performances in terms
of musical insight and sheer atmosphere. Fergus-Thompson’s
range of tone colour, and control of dynamic and texture are
nothing short of transcendental, and his inspired use of the
sustaining pedal is really something to marvel at.”
JULIAN HAYLOCK, CD REVIEW

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John Humphreys
John Humphreys was born in Liverpool
and studied at the Royal Academy of Music and in Vienna.
He made his Wigmore Hall debut in 1972 and since then
has played extensively throughout the UK, abroad and
for BBC Radio 3 in a repertoire that extends from
Bach's 'Goldberg' Variations through the complete
Mozart Sonatas and Beethoven's 'Diabelli' Variations
to Busoni's rarely heard 'Fantasia Contrappuntistica'.
His recording with Allan Schiller of the two
piano music of Ferrucio Busoniwas released by Naxos
in December 2005 and in March 2007 they recorded major
works of Schubert as part of Naxos's ongoing complete
Schubert duet series. From 1982 to July 2009 John
was Assistant Head of Keyboard Studies at Birmingham
Conservatoire
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Margaret
Fingerhut
Margaret Fingerhut has
performed in many different countries and has become
well-known for her innovative and entertaining recital
programmes which combine popular and unusual repertoire.
As a concerto soloist she has played with all the UK's
major orchestras, working with eminent conductors such
as Vernon Handley, Rudolf Barshai, Leonard Slatkin,
Paul Daniel and Sir Edward Downes, and performing in
venues such as the Royal Festival Hall, Royal Albert
Hall and the Barbican. She is often heard on BBC Radio
3 and Classic FM, and her film and television work has
included an appearance in "Testimony", Tony
Palmer's film about Shostakovich. |
A Chandos artist, Margaret's
extensive discography has received worldwide critical acclaim.
Her numerous discs include works by Bax, Berkeley, Bloch,
Dukas, Falla, Grieg, Howells, Leighton, Novak, Stanford and
Suk. Many have been selected as the Gramophone's Critics'
Choice, and two of her Bax recordings - the Octet with the
Academy of St. Martin-in-the-Fields Chamber Ensemble and the
Concertante for Piano Left Hand and Orchestra with Vernon
Handley and the BBC Philharmonic - were short-listed for Gramophone
awards. She was also the soloist in the world premiere recording
of Percy Young's arrangement of Elgar's sketches for his Piano
Concerto slow movement, with the Munich Symphony Orchestra
conducted by Douglas Bostock.
Margaret Fingerhut was a visiting
tutor of piano at the Royal Northern College of Music for
a number of years, and she is currently a visiting artist
at the Birmingham Conservatoire. She is much sought after
to give masterclasses and workshops at music colleges and
schools throughout the UK; her teaching at the Dartington
International Summer School has been described by "The
Spectator" magazine as demonstrating "enormous skill
and sympathy". She has also been an adjudicator for the
BBC Young Musician of the Year on several occasions. In the
USA Margaret was elected a National Arts Associate of Sigma
Alpha Iota in recognition of her distinguished contribution
to the arts.
In addition to her performing
and teaching, Margaret has also written articles for magazines
such as Classical Music, Pianist and Piano Professional.

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William
Fong
Internationally renowned
pianist William Fong regularly performs with the world's
leading orchestras, and in recital.
In the UK he has performed at all
London's major venues and his concerts have been broadcast
on BBC Radio 3, Classic FM, and BBC television.
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International performances
have taken place in New York, Moscow and St Petersburg (under
the auspices of the Sviatoslav Richter Foundation), and across
France and Spain. His concerts have also been broadcast on
television and on radio in Europe and the US.
Most recently, William was
given support by The Arts Council to travel to China to give
a recital and lead a week of masterclasses in Shanghai.
William first came to international
attention in 1984 when he won the first prize, gold medal
and Rosa Sabater prize at the Concurso Internacional de Piano
in Jaen, Spain. This proved to be the first of many such successes,
to which he has since added the Busoni, Cleveland, Iturbi,
and Scottish International Competitions.
St. John's Smith Square was
the venue for William's London concerto debut with the Philharmonia
Orchestra which took place soon after that first win.
William is also a chamber musician,
and has performed with ensembles such as the Brodsky Quartet
and members of Guildhall Strings. He has also collaborated
with singers Steve Davislim and James Rutherford and continues
to work with young artists who have an exciting commitment
to chamber music.
When he is not performing,
William is an active and successful teacher who is in demand
for masterclasses and adjudication in the UK and overseas.
He is also a Professor at the Royal Academy of Music and Head
of Keyboard at the Purcell School.
William's CD recordings are
available on Olympia and Guild Records.


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Mark Bebbington
The critical applaudits
which have greeted Mark Bebbington's performances and
recordings have singled him out as a young British pianist
of the rarest refinement and maturity. Increasingly
recognised as a champion of British music, Mark has
recorded extensively for SOMM "New Horizons"
label to unanimous critical acclaim.
His most recent CD, released
in June 2008, is Volume 1 in a complete cycle of John
Ireland's solo piano music; to coincide with this, Mark
is the front cover photo feature for the June edition
of International Record Review magazine. |
Two discs from last year
have earned high critical praise: Elgar's First Symphony
transcribed for solo piano by Sigfrid Karg-Elert coupled
with Alan Bush's youthful Sonata op. 2, attracted a
5***** rating in November, 2007 BBC Music Magazine and
an earlier disc - piano music by Constant Lambert and
Malcolm Arnold - was Editor's Choice in February 2007
Gramophone magazine.
All these CDs are initial
releases in an ongoing series recorded at Birmingham's
Symphony Hall, where Mark has the distinction of becoming
the first solo artist to record.
Future recordings include
the completion of a Frank Bridge cycle (Volume 1 has
become BBC Music Magazine's 'Benchmark Bridge' and was
Instrumental Choice 5***** in the September, 2006 issue
of the magazine) a CD of four British Piano Concertos
with the CBSO and Howard Williams and a disc next year
of Ireland's Piano Concerto and 'Legend', coupled with
the premiere of Bax's Concertino for Piano and Orchestra
with the Orchestra of the Swan and David Curtis.
His CD of Ivor Gurney
has earned him a maximum 3*** rating in the current
Penguin Guide to Classical CDs in recognition of "an
outstanding performance and recording in every way."
Over recent seasons Mark
has toured extensively throughout Central and Northern
Europe (both as recitalist and as concerto soloist with
many of the world's leading orchestras), as well as
the Far East and North Africa. Within the UK, he has
appeared with the London Philharmonic and Philharmonia
Orchestras, London Mozart Players and the Orchestra
of the Swan, at all the major London concert halls and
at Birmingham's Symphony Hall, and he has featured both
as concerto soloist and recitalist on BBC Television
and Radio and also on major European Television and
Radio networks.
Mark studied at the Royal
College of Music where he was a recipient of numerous
international awards and prizes, including a Leverhulme
Scholarship, a Winston Churchill Fellowship, the Chappell
Silver Medal and the Ivan Sutton Recording Prize - the
latter awarded to the one outstanding graduate of the
combined London Music Colleges. He later studied in
Italy with the legendary Aldo Ciccolini.
Mark's programming demonstrates
a commitment to the music of our time and he regularly
includes contemporary composers as diverse as Takemitsu,
Julian Anderson, John McCabe, Francis Pott, John Joubert
and Elliot Carter in his recital series.
No less a passionate
advocate of the Viennese classics, Mark is also establishing
a reputation as a refined and elegant exponent of French
music and over recent years he has given critically
acclaimed South Bank and Paris recitals with special
emphasis on French nineteenth- and twentieth-century
pianistic traditions. His French debut in the capital’s
Musée des Invalides Grands Interprétes, Premières Armes
Series, was described by Aldo Ciccolini as "one
of the most brilliant debuts I have witnessed in the
capital", and his Erik Satie concert, featuring
the UK première of Sports et divertissements in its
original version for narrator and piano toured festivals
in this country before playing sold-out performances
at 'le chat blanc' cabaret club in Montmartre.
Projects for 2007/8 include
continuing releases for the SOMM label of twentieth-century
British piano music, a critically acclaimed disc of
Mozart Piano Concertos K413, 414, 415 with the Orchestra
of the Swan and David Curtis, appearances in major concert
series and festivals in the UK and within Europe (including
a debut at the Husum ''Piano Rarities'' Festival in
Germany) and London recitals at St John’s Smith Square.

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Michael Seal
In May 2005, the City of rmingham Symphony
Orchestra announced it was to appoint Michael Seal as
its Assistant Conductor, the first in its history. Michael
had conducted the CBSO in a number of performances previously,
and impressed audiences, critics and the Orchestra alike
when he stood in for the CBSO’s Music Director, Sakari
Oramo, at extremely short notice in December 2004, producing
a dramatic interpretation of the world premiere of Richard
Causton’s Between Two Waves of the Sea and conducting
the CBSO’s Benevolent Fund concert.
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Now in his fifth year as Assistant
Conductor, Michael has conducted the CBSO in numerous,
highly acclaimed projects. He conducted a performance
of Lutoslawski “Chain 1” in the 2007, with a programme
including Hugh Wood’s Piano Concerto, with Joanna MacGregor
as soloist, and Walton Symphony No.1, was broadcast
by BBC Radio 3. Michael also conducted the CBSO on the
ground-breaking CD, “Rafi Resurrected”, collaborating
with Saregama and Sonu Niigaam.
Michael has also forged a special
relationship with the CBSO Youth Orchestra, conducting
them twice in Symphony Hall. He is also Artistic Advisor
and Conductor for the CBSOYO Academy, a chamber orchestra
formed in 2007, and conducted them in Birmingham and
the Three Choirs Festival.
Michael has conducted the BBC National
Orchestra of Wales, the Ulster Orchestra and the Royal
Philharmonic Orchestra. He has also appeared with the
Frankfurt Radio Symphony Orchestra and last season he
conducted the Orquestra Filarmonica de Buenos Aires
for a second time. In 2009-10, he makes his debuts with
Odense Symphony Orchestra and the KBS Symphony Orchestra.
Michael has been Principal conductor of the Sinfonia
of Birmingham since 2002, frequently performing concerti
with CBSO members and leading them on highly successful
tours of the Rhine and Mosel valleys, Tuscany, Holland
and Poland. He has also been a regular guest with the
Birmingham Philharmonic Orchestra since they gave him
his conducting debut in 1996. Michael has also conducted
the Midland Concert Orchestra, Birmingham University
Symphony Orchestra and Birmingham Schools Symphony Orchestra,
including a tour of the Czech Republic in 2008.
His future CBSO concerts include Schools
and Family concerts, Film and Indian music concerts
and a concert featuring the trumpeter, Hugh Masekela.
Michael will also conduct a Matinee Concert in October
2009 as well as concerts in Malvern, Dudley and Shrewsbury.
He is delighted to be conducting the CBSO Benevolent
Fund concert in September 2009 and he will continue
his work with the CBSOYO, conducting them in February
2010.
May 2005, the City of Birmingham Symphony Orchestra
announced it was to appoint Michael Seal as its Assistant
Conductor, the first in its history. . Michael
had conducted the CBSO in a number of performances previously,
and impressed audiences, critics and the Orchestra alike
when he stood in for the CBSO’s Music Director,
Sakari Oramo, at extremely short notice in December
2004, producing a dramatic interpretation of the world
premiere of Richard Causton’s Between Two
Waves of the Sea andconducting the CBSO’s
Benevolent Fund concert.
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